FIXING ARROW

It's been a while I've not written supid stuff over here such as Rey Harper becoming new Jason Todd in DC tv shows universe. Yeah, all of us have already guess how right I was about it. But, if that was a clever move, I disagree. I'm sure none of us liked the side-kick-changing from Roy to Thea. There's so many bad ideas coming from the writers on this third season that I can't take it any longer. I'm about to explode if the fourth season is going to be as bad as this last one. So, as a deliverance and something becoming regular, I'm about to tell you, all people in the world, but most specifically, CW's Arrow writers, how to fix the show:

1. Release Stephen Amell. Let him laugh, let him joke. Oliver Queen character is a big son of a bitch, but that doesn't exclude charisma, because at the end of the day he's more kind of a rogue. He can be dark, but also fun.

The lovely tie-arrow

2. Most important point: FIRE THAT HORRIBLE FIGHT CHOREOGRAPHER. He/she is terrible, I've seen nothing like this since Reeve's Superman. Character does a lot of unnecesary loop , use the bow on a pretty dumb way and he is fuckin' slow. Besides, that's enough for the tie-arrow wild card.

3. Romantic twist towards Laurel. I could have never imagine my self saying this but the show needs a li'l more romantic issues coming from the main character, and all of that hero-damsel thing doesn't work anymore with Felicity. They've made her silly this third season, she's not the sarcastic cad carachter anymore. Plus, Laurel is now at the same badass level as she is in the comics, now it's time for that weird relationship between her and Oli.

4. NO MORE FLASHBACKS. That's enough. I already know where the Arrow was, who trained him, why he's tormented, how he learned chinese, how he learnt how to torture...OK. Alright. Cause' this season flashbacks have been sooooo slow and soooo boring.

5. Oliver Queen back. And I mean he getting back the money, he adopting again the millionaire handsome alter ego. Let's se some versatility on the charachter.

6. The villain. This point is not so necesary, but the villain has to be again someone who take it personal. Thay've given us a curious and comic looking Ra's with lots of mythology. But the villain-hero conversations were too weak and repetitive. And with this, I come back to the previous point. Because a coming-back Oliver Queen who deals with the Star City (NOT Starling) jet set could find in the path some villains such as racism, corruption and people's hate.

7. And for the last: THE GOATEE!!